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・ Frederick Fauquier
・ Frederick Fawkes
・ Frederick Denkmann
・ Frederick Denman
・ Frederick Dennis Munroe
・ Frederick Dennison
・ Frederick Dent Grant
・ Frederick Derham
・ Frederick Deryl Bradley
・ Frederick Detrick
・ Frederick Dibblee
・ Frederick Dickens
・ Frederick Dickens (cricketer)
・ Frederick Dickinson
・ Frederick Dickinson Williams
Frederick Dielman
・ Frederick Dillistone
・ Frederick DiNome
・ Frederick Dixon
・ Frederick Dixon-Hartland
・ Frederick Dobson (cricketer)
・ Frederick Dobson Middleton
・ Frederick Doidge
・ Frederick Donald Blake
・ Frederick Donald MacKenzie
・ Frederick Dornhorst
・ Frederick Douglas
・ Frederick Douglas Miller
・ Frederick Douglas Underwood
・ Frederick Douglass


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Frederick Dielman : ウィキペディア英語版
Frederick Dielman

Frederick Dielman (25 December 1847 – August 25, 1935) was a German-American portrait and figure painter.
==Biography==
He was born in Hanover, Germany. He was taken to the United States in early childhood. He graduated from Calvert College in New Windsor, Maryland, in 1864, and from 1866 to 1872 served as a topographer and draughtsman for the U.S. Army Corps of Engineers in Fortress Monroe and Baltimore, and in the survey of canal routes over the Alleghanies in Virginia. He then studied under Wilhelm von Diez at the Royal Academy at Munich where he received a medal in the life class.
He opened a studio in New York City, where he worked at first as an illustrator of books and magazines, and became a distinguished draughtsman and painter of genre pictures. He was one of the original members of the Society of American Artists, was made a National Academician in 1883, and was also a member of the American Water Color Society, the New York Etching Club, and the Salmagundi Club. He was president of the Arts Federation of New York.
In 1899, he was elected president of the National Academy of Design.
In 1903, Dielman became professor of drawing at the College of the City of New York and about the same time was made director of the art schools at Cooper Union.
He made major contributions to deluxe editions of works by Longfellow, Hawthorne, George Eliot, and other writers, and to the various publications of the Tile Club, of which he was a member. His mural decorations and mosaic panels for the Library of Congress in Washington are notable. Among his pictures shown at National Academy exhibitions were “The Patrician Lady” (1877), “Young Gamblers” (1885), and a “Head” (1886). One of the best known of his illustrations is that entitled “A Girl I Know.”

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